Churches of Stanmore Middlesex


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Churches of Stanmore Middlesex

A wonderful painting of St. Johns church in its heyday by James Charles Oldmeadow, Now housed in the Bushey Museum and Art Gallery.
A wonderful painting of St. Johns church in its heyday by James Charles Oldmeadow
The painting is now housed in the Bushey Museum and Art Gallery.

The Medieval Church of St. Mary

We could all be forgiven for thinking that 'Old Church Lane' which runs through Great Stanmore is named after the red brick ruined church of St. John which stands adjacent to the end of the lane as it intersects with the Uxbridge Road. In fact the 'Old Church' predates the ruined one by hundreds of years and was built in the 14th century. This medieval Church was built on the site of an old wooden Saxon church. This Saxon church consecrated in 1094 was in turn built on the site of a Roman compitum shrine. A compitum shrine was a place which served as a centre of public worship and public meeting. It would most probably have been adapted to Christian worship sometime after the restoration of religious fre..READ MORE >>

St. John the Evangelist Brick Church Ruin

The Old Brick Church of Great Stanmore, was described in 1951 by Nikolaus Pevsner in his book ‘The Buildings England’ as: one of the finest ruins in the county of Middlesex and if it could talk what a story it could tell. Steeped in nearly 400 years of history, it is the final resting place for one of our former prime ministers, The Earl of Aberdeen, whose many efforts and successes including determining the border between Canada and the U.S.A. It was paid for by Sir John Wolstenholme, a merchant adventurer who... READ MORE >>


The foundation stone of ST. JOHN THE EVANGELIST was laid in 1849 by Queen Adelaide at her last public appearance. The church, consecrated in 1850, was built on near-by land given by Col. Tovey-Tennent of the Pynnacles, at a cost of 7,855, of which 3,000 was raised by a church-rate and a similar sum given by the earl of Aberdeen and his son, the Hon. Douglas Gordon, who was rector from 1848 until 1857. Henry Clutton, the architect, used Kentish rag and Bath stone in the Decorated style to build a church comprising a wide chancel with a chapel to the south, nave, north and south aisles, and north-west tower. The organ was later moved to the chapel from near the south door. Vestries on the north side of the chancel were converted into the chapel of St. George by E. B. Glanfield in 1955, and a new vestry was built further north. Alterations to lighten the chancel and emphasize the altar were completed in 1961; they included whitening the walls, removing the brass communion rails and much woodwork, including the choirscreen, and lowering and re-tiling the sanctuary floor. The central light of Thomas Willement's east window, erected in memory of Queen Adelaide, was redesigned in 1950. Despite such changes there are many fittings, among them a font given by Queen Adelaide and a stained glass window in the south aisle attributable to William Morris & Co.,to recall the wealth of Victorian Stanmore.

St Lawrence, Little Stanmore

The medieval St Lawrence Church was reconstructed by James Brydges, 1st Duke of Chandos in the baroque style. The architect was John James, who also worked on the Duke of Chandos' nearby house called Cannons (which was demolished in 1747). It is possible that James Gibbs oversaw the finishing touches to the church when he replaced John James as the Duke's architect in 1715. The interior retains early eighteenth-century paintings by artists such as Louis Laguerre and there is an organ played by Handel and restored in the 1990s to its original condition. In the churchyard is a tombstone to William Powell, supposedly "The Harmonious Blacksmith" who inspired one of Handel's keyboard works.

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